Black-and-white comic strip consisting of three panels featuring characters in conversation.

First panel: Two characters walk outdoors with a Highland cow grazing nearby. One says: “So much for my art business, Lachie — I’m right back where I started!” The other replies: “Why is it, Angus — that every time you’re on the point of making your fortune something goes wrong?”
Second panel: Two characters talk closely. One says: “I’ll tell you why it is — there’s somebody who doesn’t want me to become too prosperous and puts the kibosh on my successful enterprises!” The other asks: “Have you any idea who the blaggard is?”
Third panel: A person sits at a desk drawing comic panels, surrounded by art tools and a lamp, saying: “Yes, as a matter of fact I have!”

The strip is humorous and self-referential, typical of Angus Og by Ewen Bain, which satirized life in the Scottish Highlands and occasionally poked fun at the comic industry itself.

Ewen Bain biography

Skye and Lochalsh Archive Centre

It was midsummer when Ewen Campbell Bain was born in Maryhill, Glasgow, on 23 June 1925, the youngest of three children born to John and Flora Bain from the isle of Skye. His father from Waternish and his mother from Staffin had moved to Glasgow after their marriage in 1912. Surrounded by the tenements and streets of Maryhill they never forgot the lovely island they had left, and their city home became a place of highland hospitality where Ewen’s first words would undoubtedly have been in Gaelic.

Coloured photograph of an older man with gray hair and glasses wearing a light coloured woollen jumper sitting at a desk. A brown medium sized dog is siting on the mans lap. A desk lamp rests on the desk and comic strips are on the desk. The image shows artist Ewen Bain at work with is dog Barney.
Ewen Bain and Barney the Dog, 1982

Ewen had very happy memories of his childhood in Glasgow where a favourite treat was a walk with his father to see the ships lined along the busy docks on Clydeside – sadly empty today! Margaret, his sister, does not remember Ewen drawing much at home though he was good at art in school. She does remember him clowning and   carrying-on with herself and his brother James. When this got out of hand, the two children would get a row from their parents, but rarely Ewen. He told me escaped trouble by making them laugh: this I can believe as he used the same tactics with me!

Ewen had even happier memories of idyllic summer holidays. Each year at the beginning of July there was great excitement when the hamper was brought out for packing – the signal for the early morning departure on the train to Mallaig where Macbrayne’s steamer was waiting to speed them over the sea to Skye. Ewen’s mother stayed with the children during July and august and there was more excitement when their father arrived in Staffin for his annual holiday. This was much more than a family holiday – it was ‘coming home’ and the welcome, of course, would be in Gaelic. Ewen loved Skye and was very keen that I should share its magic with him. My choice of view to express that magic would be of rounding the bend of the road at the monument in Staffin to behold the superb Quirang against a lilac, evening sky with Brogagig and Stenscholl spread below it. Following that would be the welcome awaiting us at Riverside.

Black-and-white photograph showing a person standing outdoors near a rocky stream, facing away from the camera. The individual is wearing a jacket and trousers and appears to be holding a fishing rod in one hand. The surrounding landscape includes tall grasses and bushes in the foreground, with a stone wall partially visible to the left. In the distance, open fields stretch toward the horizon under a bright sky, with a few scattered buildings faintly visible. The image evokes a rural Highland setting, likely connected to traditional activities such as fishing.
Ewen fishing in Skye, 1956

The carefree summers of Ewen’s boyhood ended with the advent of the second world war. His brother was already in the merchant navy when Ewen left woodside secondary to enrol in the Glasgow School of Art. Before he was called up to join the royal navy he had to take his share of the fire watching rota in the mackintosh building ‘a skylark’ he called it, never being one to take life too seriously.

Ewen trained as a coder and spent most of the war sailing between Gibraltar and west Africa on convoy- escort duty. He had funny stories about his wartime experiences. It would happen to Ewen, of course, that his office was in the bowels of the ship next to the ammunition store.

Black-and-white photograph of a person in a naval uniform standing outdoors near a large tree trunk. The uniform consists of a short-sleeved white shirt, white shorts, a dark belt, and dark boots. The person is also wearing a white sailor-style cap with a dark band. One leg is bent and resting on a low stone wall, while the other remains straight on the ground. The background includes dense foliage and palm trees, suggesting a tropical location. The image reflects a historical setting, likely from the mid-20th century, and is associated with service in the Royal Navy in the West Indies around 1945.
Ewen in the Royal Navy in the West Indies, c.1945

When he was demobbed, he returned to Glasgow School of Art where he was one of many ex-servicemen and women who had priority of entry. It was there that we met as students, and we married in Glasgow in 1950. I remember only one cartoon at that time which was published in Ygorra, the students’ charities magazine.

Black-and-white cartoon illustration showing a humorous scene. On the left, a newspaper stand sign reads: “DAILY – FLYING SAUCER SEEN OVER GLASGOW.” Next to the sign stands an alien-like creature with a long neck, two antennae, and three-toed feet. The creature is holding an open newspaper in front of its body, as if reading or using it for modesty. On the right, a person wearing a trench coat and a fedora hat is leaning slightly forward, holding out a coin as if offering payment or engaging in conversation. The style is simple and satirical, typical of mid-20th-century comic art, likely connected to the Angus Og series by Ewen Bain, which often featured humorous takes on Scottish life and popular culture.
A cartoon from The Bleeps series by Ewen Bain

Ewen trained as a teacher in Jordanhill college of   education and taught in a number of schools in Glasgow until he left in 1969 for a full-time career as a cartoonist. he started drawing single cartoons to supplement our income when i resigned from teaching after our daughter, Rhona was born in 1955. to guard against disappointment from early rejections he always made sure that several batches of cartoons were in the post. it was a great thrill when some were accepted and the welcome cheques arrived. his talent spotted, he was advised to attempt a strip cartoon and from this encouragement Angus Og was created, his first adventure appearing in the Glasgow bulletin in 1960. shortly after that the bulletin ceased     publication and ‘Angus Og’ joined the daily record and later the Sunday mail. it was midwinter when Ewen died suddenly and unexpectedly on 18 December 1989, from pneumonia. this was a dark day for me and, though I greatly miss his cheerful, kindly presence, the brightness of his humour lives on in Angus Og.”